Thursday, February 2, 2012

The Japanese macaque or snow monkey


The Japanese macaque or snow monkey is famous for its love of hot outdoor natural springs. Yukihiro Fukuda, formerly a vet, did 12 months of field research and photographed the macaque extensively in the Jigokudani Valley, which it covered in snow for 4 month of the year.
A year with Japanese snow monkeys
1(Photo: Yukihiro Fukuda/Nature Picture Library/Hollandse Hoogte)
A year with Japanese snow monkeys
2(Photo: Yukihiro Fukuda/Nature Picture Library/Hollandse Hoogte)
A year with Japanese snow monkeys
3(Photo: Yukihiro Fukuda/Nature Picture Library/Hollandse Hoogte)
A year with Japanese snow monkeys
4(Photo: Yukihiro Fukuda/Nature Picture Library/Hollandse Hoogte)
A year with Japanese snow monkeys
5(Photo: Yukihiro Fukuda/Nature Picture Library/Hollandse Hoogte)
A year with Japanese snow monkeys
6(Photo: Yukihiro Fukuda/Nature Picture Library/Hollandse Hoogte)
A year with Japanese snow monkeys
7(Photo: Yukihiro Fukuda/Nature Picture Library/Hollandse Hoogte)
A year with Japanese snow monkeys
8(Photo: Yukihiro Fukuda/Nature Picture Library/Hollandse Hoogte)
A year with Japanese snow monkeys
9(Photo: Yukihiro Fukuda/Nature Picture Library/Hollandse Hoogte)
A year with Japanese snow monkeys
10(Photo: Yukihiro Fukuda/Nature Picture Library/Hollandse Hoogte)
A year with Japanese snow monkeys
11(Photo: Yukihiro Fukuda/Nature Picture Library/Hollandse Hoogte)
A year with Japanese snow monkeys
12(Photo: Yukihiro Fukuda/Nature Picture Library/Hollandse Hoogte)
A year with Japanese snow monkeys
(Photo: Yukihiro Fukuda/Nature Picture Library/Hollandse Hoogte)
Here’s some background on Sebastian Wilson and his work written by himself.
I’m a Chilean based photographer, for the last 13 years I’ve been traveling through Chile capturing images of our landscapes and our people. I studied Architecture and finished my career, but my real passion is photography. Both careers have an important thing in common, and that is light. Both need light to come true. In a building you need light to understand it, in Japanese architecture sometimes the light is just a little bit, but enough to make you understand the space you’re moving in.
Since I started in photography, the idea of trying to capture movement in a still image has moved me to search for longer exposures. In the beginning the pictures I took were at night, star trails really impressed me. But why not try to see if during the day I could see the movement?
I got a Neutral Density filter and started trying new pictures capturing the movement of clouds, water, and why not? people.
Now I carry it wherever I go trying to find new elements that come to life, in the desert I thought it would all be still, a tree lying next to a rusty wall was not going to be good, but suddenly wind picked up and made it come to life. Hope you enjoy the pictures!!!

If you like Sebastian’s work you can check out his website for more of it.
In The Picture: Sebastian Wilson
101. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
202. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
303. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
404. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
505. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
606. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
707. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
808. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
909. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
1010. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
1111. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
1212. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
1313. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
1414. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
1515. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
1616. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
1717. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
1818. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
1919. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
2020. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
2121. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
2222. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
2323. Photo by Sebastian Wilson
In The Picture: Sebastian Wilson
2424. Photo by Sebastian Wilson

Courtney Vermette


My name is Courtney, and I’m 22 years old. I live in Central Florida, but am planning to head north towards the end of the year. I completely blame my father for my love of photography. He would wake me out of bed at night and hustle me into the driveway. In the drive, was his telescope perched up on the tripod with his old Canon meticulously attached to the underside. We would sit out and take pictures of the moon and its craters; always in Black & White. We’d have the film processed and develop the prints by hand so I could show them off to my mother that week. I always looked forward to those weekends twice a month with my father; he and my step-mother have always been supportive my habit. My father even later gave me his Canon A2 E, and I dragged that thing everywhere for a good 5 years. Considering I was only 13, he was a brave man. Now I shoot with a Canon Rebel XTi, and drag this thing everywhere! Read more.
I’ve had the fortune travel to Italy and Japan, both places helped me grow as both a photographer and as a human. My family is originally from Maine, and I absolutely love getting to visit almost every summer. Most of my family is elderly and I’ve felt compelled to document my heritage though photography. They’ve always been very patient with my constant shuttering around when we visit.
I approach photography as a series of moments captured. Some things people might miss I usually try to photograph. I also love to photograph details in places that most people might overlook. From blueberries sitting in series in Maine to fortunes tied on a string in Japan. I love finding different textures in details and looking at things from a different perspective. I only use my Canon Rebel XTi, and shoot with my 70-300 mm f/4-5.6 telephoto and my 18-135 mm lenses. All of my editing is also done in Aperture. If you’d like to see any more of my work, my site is vermettephotography.net.
In The Picture: Courtney Vermette
1Photo by Courtney Vermette
In The Picture: Courtney Vermette
2Photo by Courtney Vermette
In The Picture: Courtney Vermette
3Photo by Courtney Vermette
In The Picture: Courtney Vermette
4Photo by Courtney Vermette
In The Picture: Courtney Vermette
5Photo by Courtney Vermette
In The Picture: Courtney Vermette
6Photo by Courtney Vermette
In The Picture: Courtney Vermette
7Photo by Courtney Vermette
In The Picture: Courtney Vermette
8Photo by Courtney Vermette
In The Picture: Courtney Vermette
9Photo by Courtney Vermette
In The Picture: Courtney Vermette
10Photo by Courtney Vermette
In The Picture: Courtney Vermette
11Photo by Courtney Vermette
In The Picture: Courtney Vermette
12Photo by Courtney Vermette
In The Picture: Courtney Vermette
13Photo by Courtney Vermette
In The Picture: Courtney Vermette
14Photo by Courtney Vermette
In The Picture: Courtney Vermette
15Photo by Courtney Vermette
In The Picture: Courtney Vermette
16Photo by Courtney Vermette
In The Picture: Courtney Vermette
17Photo by Courtney Vermette
In The Picture: Courtney Vermette
18Photo by Courtney Vermette
In The Picture: Courtney Vermette
19Photo by Courtney Vermette
In The Picture: Courtney Vermette
20Photo by Courtney Vermette
In The Picture: Courtney Vermette
21Photo by Courtney Vermette
In The Picture: Courtney Vermette
22Photo by Courtney Vermette
In The Picture: Courtney Vermette
23Photo by Courtney Vermette
In The Picture: Courtney Vermette
24Photo by Courtney Vermette
In The Picture: Courtney Vermette
25Photo by Courtney Vermette